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Zee
TV; an extension of RAW
By Makhdoom
Babar (Editor-in-Chief)
The
video footage of supposedly Kashmiri militants training in guerrilla
outfits often shown on , the International media was actually got
prepared by RAW through its media arm ZEE TV and Films Network to create
a stereo image of Kashmiri resistance movement, the Daily Mail has learn
on authority. According to the Daily Mail findings the footage was
actually shot at certain outdoor location near Simla and not in the
Indian Occupied Kashmir by the ZEE Films division’s crew. The Indians
had embarked upon a strategy well before the September 11, terrorist
attacks in the US to hoodwink the world in believing that Kashmiri
struggle was merely a terrorism associated problem. It is with this view
that they thought to give a graphic interface to their propaganda blitz
and shot this footage with actors supporting beards and brandishing
automatic assault weapons. The video proved very handy for telecast
after various incidences of attacks in the Indian Occupied Kashmir and
elsewhere in India. Later this video was also provided to the
international media who immediately took the bait by telecasting it on
their networks in course of news coverage and documentaries on Kashmir
owing to the absence of availability of any such genuine footage.
The findings of Daily Mail further reveal that Indian intelligence
agency RAW controls a whole paraphernalia of media network including ZEE
TV and Films Network, Asian News International (ANI), as well as some
national and regional language newspapers especially in Urdu, Gujarati,
Punjabi, Tamil and Kashmiri. The ZEE network retains the pivotal
position in this RAW controlled propaganda and misinformation spiral. It
was actually RAW that has been the master mind behind the establishment
of ZEE Television Network. According to our sources the proposal for
establishing a private sector television channel actually under the
control of Indian intelligence agency was first presented to the Late
Indian Prime Minister Mrs. Indira Gandhi. The proposals could not
materialize at that time as Mrs. Gandhi had certain reservations about
giving more powers to RAW for she suspected it of being behind her
earlier electoral defeat at the hands of another Late Prime Minister of
India Mr. Murar ji Desai. However, Indian movie star Amitabh Bachan who
was a personal friend of Rajiv Gandhi got the cue. His brother later
reportedly siphoned part of the Rs.64 crore kick-backs of the Swedish
Bofor guns deal into setting up a private satellite channel by the name
of TV Asia.
TV Asia enjoyed certain patronage from Indian government and
intelligence agencies though it was financed privately. In return RAW
enjoyed certain leverage on TV Asia; nonetheless its officials continued
the campaing for having their own channel. The break through was
achieved when a high ranking RAW operative Vasant Parekh found a willing
partner in the Chairman of Essel Group of Industries, Subash Chandra.
The Essel Group was mainly involved in the business of entertainment and
amusement parks. Being an adventurous entrepreneur, Chandra indicated
his willingness to Vasant Parekh for investing partly in the RAW’s
satellite TV venture provided it also shared a big portion investment
and backup support. RAW hierarchy did not require much persuasion to
dole out a hefty amount of US$ 25 million as an initial participation
share in the project. The deal was struck and the ZEE Television Network
was formally launched in 1992 with Subhas Chandra as the Chairman and
Vasant Parekh as the founding member on its Board of Directors. It was
agreed to induct and employ a certain number of RAW operatives in all
cadres of the network. RAW personnel were thus recruited amongst the
programme producers, anchors, newscasters, and even amongst the
marketing and business managers. The arrangement facilitates RAW to send
its agents undercover to Pakistan and even other countries. Having a
media tag gives these operatives an easy access to cultivate a number of
personalities in the target country, which would have been otherwise
difficult. The broad outline of the propaganda objectives of ZEE TV
defined by RAW were:
- Undermine the ideological frontiers of Pakistan through oft repeated
Indian rhetoric of cultural and social uniformity of South Asian
sub-continent;
- Malign Pakistan by a deliberate negative projection of the events and
developments in the country. The aim was to systematically build a poor
image of Pakistan may it be in the context of internal political
developments, religious or social events, women issues, child labour,
brick kiln workers, Ahmedi or Christian minorities, secretarian clashes,
Mohajar ethnic movement, foreign policy or bilateral relations with
India. Although human rights violations, social, cultural, religious and
economic problems exist at a much gigantic proportion in India these
were to be downplayed in Indian context;
- Projection of India as a modern secular and progressive state which is
the world’s largest democracy;
- Propagation of India’s foreign policy objectives and its position on
Kashmir;
- Promotion of Hindu mythology through serials based on mythology as
well as soap operas telecast on the network;
In pursuance of this policy ZEE lays special emphasis in cultivating
prominent personalities in Pakistan for accomplishing the ideological
agenda. Bigwigs in Pakistani entertainment and show biz, poets, writers,
eminent sportsmen and politicians are a prime target. The common modus
operandi is that Pakistani celebrities are invited as chief guests or
special guests to various ZEE programmes. A lot of praise is showered,
calling them artists whose talent is not restricted by any boundary,
frontier or divide and that the people of the two countries love each
other, only the politicians conspire to keep them separated. Overwhelmed
by the tremendous show of hospitality the artist either ends up
unwillingly endorsing the host’s views or says something that is
construed to be negating the ‘Two Nation’ basis of Pakistan’s
independence. According to credible information RAW also sponsors
organizing of performances, shooting of videos and securing of contracts
for Bollywood movies and entertainment agencies for some of these
personalities belonging to the Pakistan entertainment, film and music.
The Daily Mail has learned that RAW’s further tightened its noose on
media during the first government of BJP under the then Minister for
Information and Broadcasting Parmod Mahajan. RAW had in the meanwhile
already taken control of the struggling television news agency Asian
News International (ANI) founded by an ambitious cameraman Prem Parakash.
When the agency ran into financial troubles RAW came forth to help it
with idea of producing South Asia News line which all the Indian
entertainment TV Channels not producing their own news bulletins were
force to telecast. Parmod reportedly threatened these channels with the
sweeping powers under the PRASAR BHARATI (Indian Broadcasting) ACT, 1990
Chapter IV, 23; “Power of Central Government to give Directions” if they
did not comply. Even his successor Sushma Swaraj has been calling shots
at the media also making coercive use of the draconian Indian National
Security Act, 1980. Three Advisory Bodies have been pivotal in this
regard to streamli mittee. The DFF amongst other things virtually
controls the films dealing with news, current events and documentaries.
RAW has a permanent representation on this Committee which can use any
pretext to penalize channels not receptive of its directives.
Our correspondent Saira Ilyas adds from London: The enormous success of
ZEE in South Asia and Middle East encouraged its sponsors to target the
Asian viewers in Britain and Europe. The prime objective was to
disillusion the expatriate Pakistanis and Kashmiris from their
ideological basis. Britain being the home of largest Kashmiri refugee
community outside Asia has become a cause of concern for the Indian
establishment. The growing influence of Kashmiri community in the
political circles of UK, their frequent protests over the human rights
violations in the Indian held Kashmir and demand for the right of
self-determination for Kashmiris is often embarrassing for the Indians.
ZEE UK was therefore launched in 1995. The ZEE’s strategists, however,
realized that Braitain and Europe was a different ball game. To lure the
Pakistani expatriates it was decided to telecast a mix of Indian and
Pakistani programmes. It is learnt that a team was sent to Pakistan to
negotiate the purchase of PTV programmes for telecast on ZEE UK. ZEE was
able to procure from the PTV library many classical dramas, the most
recent hit telecasts, musical programs, special occasions telecasts for
Eid, Muharam, Ramadan including and other purely Islamic religious
programs. These programs were reportedly sold to the ZEE at throw away
prices. The PTV establishment of the time credited itself for having
sold the programmes with no other clientele. Little did they know the
diabolic use that ZEE had planned for these programs. However, PTV
authorities maintain that some of its programs were recorded off air by
a Lahore based spurious company and sold to ZEE TV. Subsequently PTV
obtained a court injunction to stop ZEE from telecast of some of its
programs. Nonetheless this gap is now filled by the private productions
that have mushroomed in Pakistan over the last few years.
The ZEE UK program managers ran an extra-mile in their endeavours to
establish it as a neutral TV of the entire South Asian community in
Europe. The propaganda against Pakistan was deliberately kept sublime in
the initial year of its launching. However, it continued its policy of
reporting negative developments in respect of Pakistan and black outing
positive aspects may it be as non political news as winning a cricket
match by Pakistan. Nonetheless, ZEE’s one sided hype during events such
as the Kargil conflict gave away any semblance of neutrality that the
channels had been portraying. The propaganda blitz unleashed by ZEE
since the take over by the BJP appointed RAW administration has exposed
the real face of the channel.ne the Indian governments propaganda
campaign; the Central Press Accreditation Committee (PIB), Film Advisory
Committee (DFF) and Hindi Advisory Committee
It is popularly believed in the South Asian community in UK that ZEE-RAW
nexus was fully unveiled during the RAW staged hijacking drama of an
Indian airliner in December 1999. Throughout the hijacking drama ZEE
newscasters and expert panelists many among whom were actually
undercover RAW officials, continued to narrate RAW orchestrated script
like parrots in an unbelievable frenzy. ZEE was further exposed by
completely biased reporting following the RAW staged spate of attacks in
India after September11 such as the attack on the sham State Assembly of
Indian Occupied Jammu and Kashmir, Indian Parliament, US Consulate
Calcutta as well as the present border standoff between Pakistan and
India. Even many Indian origin UK nationals are now relying on PTV Prime
and ARY to get a clear picture of the events.
RAW prolific media network however received a setback when its sponsored
Reminisce Television Network (RTN) could not succeed in UK and Europe.
The free to air transmission of RTN’s Channel Asia 1 could not get
enough advertisements due to over crowding of the market by many Asian
Channels. The RTN also had an Urdu Channel ANJUMAN to target Pakistani
viewers besides Gujarati, Lashkara (Punjabi), Bengali and other regional
language channels. RAW is now concentrating on ZEE and SONY
Entertainment Television (SET).
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