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Tribeca hopes for rebound after criticism last year
Jake Coyle
NEW YORK—In 2007, the Tribeca Film Festival underwent a modern-day rite
of passage: the backlash. Co-founded by Robert De Niro after Sept. 11 to
help heal his Manhattan neighborhood, the festival had previously
enjoyed a thankful reception. But as it expanded further into New York
and the number of screenings quintupled, some began to resent Tribeca’s
growth into the already crowded festival circuit.
“You can’t please everybody,” De Niro said in a recent interview. “If
everything’s going nicely, there’s always going to be somebody to say
something.” The seventh annual festival, which opens Wednesday night
with the premiere of the Tina Fey comedy “Baby Mama,” has responded to
the complaints of last year. To help moviegoers wade through the thicket
of largely unfamiliar titles, the number of feature films has been cut
from 157 to 120 (even though total submissions increased from 4,550 to
4,835). Screenings have been refocused geographically to a “hub” of
downtown Manhattan, and average ticket prices have been brought down
from $18 to $15.
Tribeca, it’s clear, is still trying to win over New York and the film
community. “There were some very valid criticisms and we’ve listened to
our audience the way when you’re producing a movie and you have a test
screening,” said Jane Rosenthal, De Niro’s producing partner. She is
also a founder of the festival, as is her husband, entrepreneur Craig
Hatkoff.
Though the festival trumpets its economic impact on the city (it says
$119 million was generated last year), the Tribeca neighborhood no
longer needs commercial help. One need look no further than the
ultra-luxurious Greenwich Hotel that De Niro opened earlier this month.
“Would I have predicted sitting there on Sept. 12 that seven years from
then, things would feel pretty normal in lower Manhattan?” said Hatkoff.
“It’s rebounded very, very quickly.”
While the Sundance Film Festival is ground zero for quirky independent
fare, Cannes specializes in international arthouse and Toronto launches
studio Oscar contenders, Tribeca is without a specific identity. |