|
Bollywood digs out old scripts
Noreen Aslam
BOMBAY—A writer’s block has certainly not stumped Bollywood, what with
its attic full of stories that can be remade. Even skilled screenwriter
Honey Irani’s directorial debut Armaan, due in May this year, is
inspired by Kamal Amrohi’s 1960s love triangle Dil Apna Aur Preet Parayi.
While Anil Kapoor plays the role originally essayed by the late thespian
Raj Kumar, Preity Zinta and Gracy Singh play the roles of Nadira and
Meena Kumari respectively. Irani isn’t alone. Many other filmmakers are
treading the known path. “There isn’t much of a choice. Good writers are
becoming harder to find. Everyone, from Yash Chopra to Vashu Bhagnani,
is facing an acute shortage of writers,” says Hansal Mehta.
Says his colleague Anubhav Sinha: “I’ve been looking for an original
script for the last two years. Now I’m just looking for a good old Hindi
film to remake.” Boney Kapoor, for one, prefers to remake Tamil-Telugu
hits rather than look for scripts in Mumbai. “That way I’ve ready
reference points which together with the director, I develop into
totally autonomous Hindi products,” he asserts.
Though his last two southern Indian remakes Shakti: The Power and Khushi
haven’t done well, Kapoor is all set to remake the Tamil hit Run with
Abhishek Bachchan in the lead. Other Hindi filmmakers who have seen a
spate of southern remakes fall at the turnstiles are now turning to
cinema in their own backyard. Dharamesh Darshan, who was inspired by two
1960s hits Jab Jab Phool Khile and Sangam to make the blockbusters Raja
Hindustani and Dhadkan, is now remaking BR Chopra’s 1960s musical hit
Gumrah as Bewafaa with Kareena Kapoor playing Mala Sinha’s role.
Kareena also figures in Sooraj Barjatya’s Main Prem Ki Deewani Hoon
which is a remake of Chitchor, a romantic musical comedy that Basu
Chatterjee made in the 1970s for the Barjatyas. Nine years ago, Sooraj
Barjatya had remade yet another film from his banner, Nadiya Ke Paar as
the historical hit Hum Aapke Hain Kaun. Bollywood scripts are coming
full circle once more. |