Coppola’s latest comeback a disappointment
Ray Bennett

LONDON—It has been 10 years since Oscar-winning director Francis Ford Coppola last worked behind the camera, but high expectations for his new feature “Youth Without Youth,” which screened Sunday at the RomaCinemaFest, are dashed as it proves to be a muddled fantasy about the transmigration of souls.
Handsomely made on a low budget, the film has the polished look of a Coppola film with expert contributions from some master craftsmen. But the story is full of arcane references that many will find nonsensical, and the performances are a letdown. Lacking coherence and suspense, the picture is likely to attract a cult following while disappointing Coppola’s fan base. Tim Roth plays an elderly linguistics scholar who is struck by lightning and not only begins to grow younger but also can master languages he never knew. Beginning in Bucharest in 1938, the story has Nazi spies, fascists and a beautiful young woman who also is struck by lightning. She, however, is turned into a seventh century disciple of Chandrakirti who can speak ancient tongues and starts aging at a furious rate.
The far-fetched tale relates the strange events that overtake 70-year-old Dominic (Roth) after he is struck by lightning while planning suicide. Delighted to learn that he is getting younger, he is troubled to discover he has a double that materializes with evil intent. Dominic is further alarmed by the attentions of a sexy Nazi spy known only as the Woman in Room 6 (Alexandra Pirici) and the evil Dr. Josef Rudolf (Andre M. Hennicke) who employs her.
Fleeing to Switzerland, the scholar survives World War II and continues his work until one day he encounters two young women who soon afterward run their car off the road in a storm. One of them, Veronica (Alexandra Maria Lara), survives, but having been struck by lightning she now speaks Sanskrit and calls herself Rupini.