Vanessa Carlton returns with a third CD
Mark Kennedy

NEW YORK—In her latest video, Vanessa Carlton very deliberately kills a piano. The clip for “Nolita Fairytale” begins with her entering a garage and removing the cover from a red piano. She sits down at the keyboard and — whoosh — the artist and piano soon float above a city street.
At this point, viewers may feel a little deja vu: So far, the new video is a step-by-step copy of the one for her breakout 2002 single “A Thousand Miles.”
Only this time, things go screwy. Carlton cracks a sly smile before scampering away, abandoning the piano in the street. Seconds later, it gets creamed by a yellow taxi. The destruction of the instrument is Carlton’s attempt to make a fresh start — plowing through a five-year-old image that got bigger than the artist herself.
“That image kind of trumped everything else. It became almost iconic — the girl and the piano,” says Carlton during an interview at an outdoor cafe near her apartment in the Nolita neighbourhood of Manhattan. “They don’t know who I am, they don’t know the song, they don’t know any of it. But they know the travelling piano video.”
So Carlton and video director Mark Klasfeld, who created the floating piano, decided to purge it. “To start anew, you have to kind of open the old book and then close it so you can then open the next book,” says Carlton, who this day wears a floppy hat, black nail polish, skintight jeans, a knitted top and a nose stud. Carlton, 27, is hoping a new book opens with “Heroes & Thieves,” her third album after a turbulent few years that saw her break up with both her longtime boyfriend and her record label.
“I think the past couple of years have been one of those really hard-core evolutionary chapters for me,” she says, sipping a double espresso. “This album reflects that.” The CD — co-written with Third Eye Blind founder Stephan Jenkins and songwriter Linda Perry — is an 11-song collection that mines the veins of longing, heartbreak and independence.
“Take away my record deal/Go on I don’t need it,” she sings on the first single. “Spent the last two years getting to what’s real/And now I can see so clear.” For Carlton to lose her record deal seemed unfathomable in 2002 when her debut album, “Be Not Nobody,” earned three Grammy nominations, including Record of the Year and Song of the Year.
Her second album, 2004’s “Harmonium,” which yielded the single “White Houses,” also garnered good reviews but made little splash. MTV, VH1 and some radio stations balked at playing the single, which deals with a girl losing her virginity.
Carlton said she was frustrated by her then-label, Interscope Records, feeling like the second album wasn’t supported as hard as she’d like. “I felt I was being punished or smacked on the hand for kind of making a left turn,” she says. “It’s not like I had released an avant-garde album. I’d made certain choices that weren’t typical or weren’t expected of me.”
She found comfort in an unexpected place: The Inc. Records — once known as Murder Inc. After being wooed by label head Irv “Gotti” Lorenzo, Carlton found herself among a stable of stars that includes Ja Rule, Ashanti and R&B singer Lloyd. “It’s an odd coupling. You would never think to put us together,” Carlton admits. “He just blew me away with his level of passion and devotion in creating good music, no matter what genre it is. And his ear is excellent.”