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Mexican pop
diva Gloria rebuilds career
From Istra Pacheco
CHIHUAHUA (Mexico)—When Mexico’s scandalous pop diva Gloria Trevi — once
the country’s highest-paid performer and known as “Mexico’s Madonna” —
left jail, she handed out fliers to promote herself. The hard work is
paying off: two years later, Trevi has shot to worldwide superstardom.
Her comeback album, “Como nace el universo,” or “How the Universe Was
born,” went platinum in the United States, selling more than 200,000
copies, and receiving a Latin Billboard Award nomination for best album.
The single “Todos me miran,” or “Everyone is Looking at Me,” whose video
depicts a gay man coming out, hit No. 1 on Mexico’s billboard chart.
These days, Trevi has become an icon for gay men on both sides of the
border, dubbed the “Gay Queen.”
“Conservatives criticize (gays) but then they wear the clothes they
design, listen to the music that they have made so popular and use the
makeup that they create,” Trevi said in a recent interview. Trevi rose
to stardom in the 1990s when her songs about sexual independence won
over thousands of teenage fans, making her one of Latin America’s
biggest stars.
Then the bottom fell out: In 2000, Trevi, along with her manager Sergio
Andrade, and backup singer Maria Raquenel Portillo, were arrested and
accused of luring young girls into their entourage with promises of
stardom and then sexually abusing them. The three were detained in
Brazil, where all had fled to avoid prosecution. They were extradited to
Mexico, where a second backup singer was already being held.
After almost five years in Brazilian and Mexican prisons, Trevi was
acquitted of charges of kidnapping, rape and corruption of minors. The
38-year-old singer, who has always maintained her innocence, left jail
with her son Angel Gabriel, now 4, and the memory of losing a baby girl
who died shortly after being born there. Last year, she gave birth to
her second son, Miguel Armando, and says she may have more children.
Trevi no longer talks about her time in jail, but the experience
transformed her from a Mexican teen idol into an international star with
fans in their 20s and 30s. And although she has tamed her wild lioness
mane and toned down her raunchy image — doing away with ripped tights —
Trevi hasn’t lost her spunk.
She still lets loose on stage, grabbing her crotch and cracking whips.
“My fans like the rebel in me,” she said in a recent interview. She’s
even managed to strike a fine balance between her rebel girl image and
her new life as an activist mother, broadening her appeal.
Trevi also started a foundation, named Ana Dalai after her baby that
died, to provide money and support to jailed mothers, saying she has
firsthand knowledge of their difficulties. On Monday, she returned to
the Chihuahua prison where she was held and handed out toys and medicine
to inmate mothers.
She has become a vocal defender of the gay community. The song “Everyone
Is Looking at Me,” which she said is based on a friend’s experience, was
a favourite at sold-out shows during Trevi’s recent tour of major gay
clubs from New York to Los Angeles.
Her album “How the Universe is Born” was a testament to fans of Trevi’s
fight against social taboos and not being influenced by others, and she
has said “Everyone Is looking at me” also relates her own feelings of
being rejected by certain sectors of society. She said she hopes her
music inspires people to stay true to themselves.
“Artists, and above all `La Trevi’ teaches us, especially women, about
all the sides of ourselves: the sexy one, the showoff, the passionate
one, the mother, the super hero,” she said. Later, she added: “My
rebelliousness more than anything has a cause. ... I never have been an
anarchist, I’ve always had goals and always have acted out of love”. |