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A new Morning
for Judd
From Sara Hall
NEW YORK—A few years ago, Ashley Judd was the queen of female-driven
thrillers thanks to big hits like “Kiss the Girls” and “Double
Jeopardy.” While a talented actress, Ms. Judd went to that well a few
too many times as the bombs “High Crimes” and “Twisted” pushed her off
the A-list. What many moviegoers don’t know is that Judd got her first
big break in the 1993 Sundance Film Festival favourite “Ruby in
Paradise.” Returning to her indie drama roots, Judd is now starring in
another Sundance favourite, this year’s “Come Early Morning.”
Directed by Joey Lauren Adams, better known as the actress with the
distinctive voice from “Chasing Amy,” Judd’s new flick is a character
study of an Arkansas woman who can’t open herself to more than a
one-night-stand. Some might think her character Lucy is a slut, sleeping
with random men weekend after weekend, but Judd sees her as a woman just
looking for a different result, even if she doesn’t know how to find it.
“My friend Samantha, her mom will talk about boyfriends like the tester
pancake. ‘Well, that was a pretty good pancake, but not the best one.
There’s going to be something further in the batch that’s really the
better pancake for me,’” Judd says. “I think it’s that way with
relationships as well, but Lucy is in that rut where she can’t get past
doing the same tester pancake, over and over and over again.”
Lucy’s choices lead to, in particular, one very intimate sex scene. Judd
has shied away from those moments in the past, so how did she muster up
the courage to do this one?
“Willingness. Just being willing,” Judd says. “And thinking, ‘I did sign
a contract, so I’ll get fired if I don’t.’”
Besides a role in William Friedkin’s new thriller “Bug” (uh oh, not one
of those again), Judd is taking her career into her own hands by
developing her own material. She’s optioned the rights to the novel “The
Burning Time” by Robin Morgan about Dame Alyce Kyteler, a 14th century
Irish noblewoman who was at the centre of a conflict between the pagan
Irish religion and the Catholic Church. As Adams did with “Morning,”
Judd is going to attempt to adapt the historical novel into a screenplay
herself.
“I may fail spectacularly, or succeed modestly. I don’t know,” Judd
says. “But, I’m certainly looking forward to sitting down and taking a
try at it.”
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