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Why cry wolfover a fair traffic law
By Liu Shinan

China now seems to have an over-abundance of "experts". Whenever an event arouses public attention, experts jump on the scene to address or offer "professional" advice to people, which is often contrary to public sentiment and common sense.
The latest example is a petition submitted by a few law experts to the National People's Congress (NPC), asking it to review, and possibly annul, a recent Shenzhen municipality law to punish people for traffic rule violations. Though the majority of the public in the southern metropolis have welcomed the new law as necessary and beneficial to improving the city's traffic, the experts have questioned its legality.
Their letter to the NPC focuses on two points. First, they argue, the local law goes against the "Law of the People's Republic of China on Road Traffic Safety", passed by the NPC. Second, they say, the punishments the local law stipulates are very severe.
The experts have said the harsher punishment to be meted out to offenders goes against the stipulations of the national law. They argue that the local law is unnecessary because we have a national law on the subject.
I was stunned by the argument, which is tantamount to saying that a local government cannot draft its own version of a national law. How could the "experts" make such unprofessional remarks? If the logic they use is right, then on what basis will local legislatures pass local laws?
It's true, all national laws are drafted taking into consideration the conditions in different parts of the country. But they cannot be specific enough to suit the conditions in all parts of the country. Local legislators need to pass laws or regulations to address problems specific to their area or region.
Take the new Shenzhen traffic law for instance. The authorities have drafted it to address the serious road safety situation in the developed coastal city, which has more vehicles and worse traffic jams and accidents than, for example, a town in Qinghai province.
Again, the heavier punishment stipulated in the Shenzhen law is suitable to the local conditions. A 200-yuan fine for jumping the red lightmay be unbearable for a resident in the Qinghai town but it is definitely not heavy enough for a motorist in Shenzhen. Places with different conditions need different measures to deal with problem of a similar nature. This is so simple a logic, but the "experts" seem to be ignorant about it. The Shenzhen law prescribes a fine of 1,000 yuan for jumping the red light, which the "experts" say is very high. Nobody wants to jump the red light, they say, though "in many cases, people do it unintentionally for instance, when their car is behind a large vehicle that blocks the traffic lights from their view."
This argument is not convincing to the least. The fact is that most motorists who jump the red light do so intentionally with a try-the-luck mentality. If a motorist follows the rule on keeping safe distance between two vehicles, it would not be difficult for him/her to see the yellow and red lights.
Shenzhen's new traffic law gives enough consideration to the possibility of people violating rules unintentionally. It says minor offenders will be cautioned the first time, and only those found to have violated the rules repeatedly will be fined.
The heaviest fine the Shenzhen law imposes is on people using false license plate numbers: 50,000 yuan. This may be really high, but it is not unreasonable. Forging license plates is an intentional crime. But no matter how high the fine is, a law-abiding citizen shouldn't have anything to fear.
 
A voice from the roots
I went to Mecca but I did not find the truth, Even though I prostrated myself a hundred thousand times over, I went to the Ganges but I did not find the truth, Even though I bathed myself a hundred thousand times, I held the rosary; I turned the beads in my hand, But I did not turn the heart in my breast.I went inside the mosques and the temples But I did not go inside myself.
These heart throbbing lines by Bullah Shah were sung by Arieb Azhar in the most inspiring voice in his concert 'A Melodic Expression of Spirituality' last Thursday. His songs sat the audience on the edge of their seats, wrapped in mysticism. This concert was organised by Asian Study Group (ASG) in collaboration with Pakistan National Council of the Arts (PNCA) as a seasonal event with the theme 'Peace and Tolerance'. Besides concert, the event also featured a painting exhibition of 10 oil paintings by Shafique Faruqi titled "Mysticism through Colours.
First impression can be deceiving as apparently Arieb Azhar is one cool dude, wearing jeans and a t-shirt, and shaved head covered in a bandana. But when he played the first single from his album Wajj, 'Husn-e-haqiqi' he captured the hearts of audience through his magical voice. The single is set to the Sufi poem written about a hundred years ago. It ponders the beauty of truth and the nature of god. It's not unheard of for these poems to be sung, but never in quite this way.
With scintillating voice, he then sang "Allah Hoo- Alif Allah Noor Paay" and continued with mystic poetry of Bullah Shah, Sultan Bahu, Sarmad Sehbai, Khawaja Ghulam Farid and Guru Nanak. By the time, he sang the Rajhistani folk song 'Kesarani Balam (Long haired beloved), the audience was completely overwhelmed. At the concert, Arieb Azhar was accompanied by Zeeshan Mansur on guitars, Akmal Qadri on flute, Amir Azhar Rubab on Bass and Ajmal Khan on 'tabla', all of them truly did justice to their instrument playing.
Arieb said 'True music is the union between the individual and the universe - a release, rapture, celebration, quest, and lament of the human spirit. If I am able to touch that in the moments of my life, I will consider myself fortunate'. He continued, 'Some of my earliest memories are of Shaukat Ali singing Saif-ul-Muluk, and later of Abida Parveen'. He added that he found the 'feel' he was looking for but the task of interpreting it in songs was far from over!
Fascinated with music for as long as he can remember, Arieb Azhar grew up listening to Eastern and Western classical and folk music that influenced his love for 'roots' music, and has always used the guitar as an accompanying instrument. The artist went to Croatia and Yugoslavia at the age of 19 for his studies and spent the subsequent 13 years there. In 2003, he moved back to Pakistan with the aim of immersing himself in the music of the Subcontinent. According to him, "I felt I needed to return to my roots in order to rediscover the genuineness of my music." He has performed and been involved in leading music festivals of the country, such as the Rafi Peer World Performing Arts Festival and Sufi Festival, and more recently, the Coke Studio Projects.
Hats off to Asian Study Group and Pakistan National Council of Arts for organising a truly scintillating event - that was a relief for people watching violence on their TV screens. Events like this demonstrate the world that we are a land with our roots in the powerful ideology and life long struggle of great people rather than a country of terrorists. Love, peace and divine knowledge through direct experience of God are some of these powerful messages.

—Bushra Naz bushranaz@dailymailnews.com
 
 
 
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